DPLA Live — Production Agency · Los Angeles
Proof in motion
A quick visual pass through selected credited work, built for producers who want to see the range before moving into credits, credentials or booking.
Fast brief
DPLA Live supports producers, agencies and brand teams with experienced leadership, trusted crew support, licensed aerial capability and a clear path from first call to shoot day.
Production dossier
Review the essentials by need: capabilities, public work samples, credits, client context, credentials, agency background or direct booking.
Built for producers, agencies and production companies that need a nimble partner with executive-level ownership, vetted crew capability and calm execution across prep, shoot and delivery.
Founder-led production leadership from bid through wrap: scope, crew strategy, logistics, client communication and on-set decision making with Darren Perkins as executive producer.
Camera department builds for pilots, digital series, music programming, branded content and live capture — from DP leadership to specialty camera, licensed drone and multi-cam operation.
Lighting design, gaffer support and technical systems for studio, location, broadcast and live-event environments. DMX-fluent, efficient and production-aware.
Vendor-ready production management for live, branded and music programming: logistics, budget tools, scheduling, talent movement and broadcast support from prep through delivery.
AD and set-operations support for commercial, broadcast and digital productions — blocking the day, keeping departments aligned and protecting the schedule.
Talent coordination and international travel logistics for live tournaments, awards shows, festivals and tour-style productions — structured for producers who need fewer variables on the day.
A studio-style reel grid of public-facing cuts, trailers and releases, arranged as oversized cinematic tiles for producers, agencies and brand teams evaluating the work. Public samples are paired with verified credit context across the production dossier.
Feature cut · public embeds · StaffMeUp cross-check
Selected public embeds are presented as viewing references, with role verification supported by the credits and credentials record.
Mini case studies · vendor proof
A tighter view of the strongest credits by production need: aerial/music video, episodic digital, live brand systems and film credentials.
Request capability deckShows current high-profile music-video execution with licensed aerial capability and production-management support on the same credit.
View sampleDemonstrates repeat-format support across camera, assistant camera and grip needs for a fast-moving digital series environment.
View samplePositions DPLA Live for live-event and brand-team logistics where talent movement, timing and production communication have to stay aligned.
View sampleAdds film-credential depth to the vendor profile, supporting confidence beyond short-form and live/digital production categories.
View sampleSelected from DPLA Live’s production footprint across cinematography, camera operating, lighting, producing and assistant directing. StaffMeUp’s current public profile shows 98 credits, active digital work, and recent advertising, corporate, music video and short-film categories. Full credential record available on IMDbPro and StaffMeUp.
current slate
network · episodic · music
live systems · broadcast base
Network & client experience includes
04 / Credentials
Membership context, FAA Part 107 aerial capability, profile depth, filmography signals and network references — assembled for production teams vetting DPLA Live as a reliable vendor partner.
DPLA Live is a Los Angeles production agency operating through Dvicii Productions, founded in 2021 to deliver production services for networks, agencies, labels, live-event teams and premium content companies.
Darren Perkins leads the company as founder and executive producer, bringing 8+ years inside studio, network and digital productions. His role is to translate creative intent into executable production plans, align camera, lighting, talent and logistics, and keep client stakeholders confident from prep through delivery.
StaffMeUp’s current public profile reinforces that vendor posture with production coordination, on-set operations, scheduling, talent support and cross-department communication. The throughline is practical: anticipate production needs early, adapt quickly to new workflows and keep teams aligned under tight timelines.
Senior production ownership without the overhead of a large shop.
The agency combines executive production, camera department fluency, lighting discipline FAA Part 107 aerial capability and production-management systems. The result is a compact vendor that can scale up with trusted crew while staying decisive in prep, quiet on set and accountable in post. Union-ready. FAA Part 107 Remote Pilot. Member, Society of Camera Operators (SOC).
06 / Booking
For bids, scopes, crew builds, kit packages, licensed aerial needs, availability and union status — write directly or call. DPLA Live responds same-day on weekdays from Los Angeles.
